Title: Inja (Dog)
Director: Steve Pasvolsky
Performers: Anele Vellom, Lizo C. Makambi, Danny Keogh, Terry Norton, Nico, Bo.
Breed(s) featured: South African Boerboel
Production Info: Australian Film Television and Radio School / Big World Cinema, 2001
Runtime: 17:04
South Africa, 1980s. Using a young Xhosa boy as a pawn, a farmer teaches his puppy to be white man’s best friend. Ten years later, both their lives hang in the balance at the mercy of the dog. (Description from video link, above)
ADVISORY: No animals were harmed in the making of this film, and there is no blood or gore, but if the suggestion of violence against animals is hard for you to handle, you may not want to watch this.
From small gestures to those writ grand and symbolic, this is a short film that effectively conveys the long-term costs of systemic bigotry and Apartheid. It’s not particularly easy to watch, even if it starts out with a disarmingly cute Boerboel puppy.
Boerboel puppy from Inja (Dog)
Young Thembile and Boerboel puppy
It’s a film that expresses a moral message through the figure of the dog, and as such I have more to say about the humans in this film than the dog. Two scenes stand out to me:
At 6:20 ~ 6:40, the wife Hettie makes an appearance, tries to intervene with not enough urgency in her voice, then retreats helplessly. The effect could merely be a result of understated acting, but for me, it signaled an expression of futility, of exhaustion — she had been witness to this history of Johannes’ cruelty in the past, and already knew there was nothing she could do. In other words, the violence is systemic; as one woman, one wife, she has been made to accept it and turn away — just as the other African women run away when they see the beating that is about to commence.
At 11:35 ~ 12:00, Johannes and an older Thembile share a lunch… and a laugh. I’m still not clear what emotions are registered in this scene, though there’s certainly a range and a passage of conflicting tensions, as the minor incident that initiated Thembile’s first chuckle is not entirely innocent, and rather at his master’s expense.
Scene from Inja (Dog)
This isn’t a fully thought-out analysis, partially because the film deliberately leaves open-ended questions so that you have to let your thoughts tumble about for a bit.
Watch the film above, and let me know what you think. You can also find it on Netflix (or a local video rental store, if you’re lucky!) on a DVD collection entitled Art of the Short Film (which also includes “Mt. Head” [Atama yama] by Koji Yamamura, which has nothing to do with dogs but which I highly recommend as a crazy, surreal piece of Japanese animation for those of you who think anime is all trite and recycled pop fare).
Interesting….I was just thinking of doing some more research on the ways Boerboels and other dogs have been used to to further their human master’s prejudice. What I found particularly disturbing is the way in which the dog was trained to distrust black South Africans…
Also, I read the wife’s futility as not just exhaustion with dealing with her husband’s cruelty, but also exhaustion with and a passive acceptance of the entire structure of Apartheid, one that both confers privilege on her and her husband, but does it at a high cost, when even a dog is forced to participate in this inhumane structure.
Thanks for posting it….I never would have come across it, most likely, and it is very powerful, and I’m glad I saw it.
Have you ever seen White Dog (http://en.wikipedia.org/wiki/White_dog)? I am interested in reading the book too, especially as the film is, in my opinion, not as well executed as I would have liked. But I have some thoughts on it (for a future entry) and would recommend it if you’re looking at representations of dogs and trained prejudice in fiction and film.
Saya’s owner here.
Wow that short film was pretty good thanks for posting it.
I’ve seen White Dog before I think I was 10 or something at the time maybe younger or older anyways it was an interesting movie.